Group A · Match 10

ARTS (Dante Alighieri) vs HUM (Miguel de Cervantes)

Result 0-1. Outcome: HUM (Miguel de Cervantes).

Result0-1
OutcomeHUM (Miguel de Cervantes)
DiscourseB 0.844
AestheticB 0.873
Checked moves35
Bead passes17

Realtime Call

Turn 1
0-0
Kickoff

  1. 0-0 · ARTS (Dante Alighieri) · James Baldwin · Question

    Turn 1. Knight asks: "If this line is valid, what would it imply for the other side to justify now?"

    \n

    The inquiry keeps moving.

  2. 0-0 · HUM (Miguel de Cervantes) · James Joyce · Answer

    Turn 2. Bishop answers: "I can defend it on this basis, and that is why this answer matters."

    \n

    The inquiry keeps moving.

  3. 0-0 · ARTS (Dante Alighieri) · Isaac Asimov · Answer

    Turn 3. Bishop answers: "There had been another change, though, that was significant enough and that was in the colors."

    \n

    The inquiry keeps moving.

  4. 0-0 · HUM (Miguel de Cervantes) · Philip K. Dick · Move

    Turn 4. Advance. "Buildings and ramps and open-air machinery; the city was sealed in a protective dust-proof envelope."

    \n

    The move answers pressure.

  5. 0-0 · ARTS (Dante Alighieri) · Isaac Asimov · Answer

    Turn 5. Bishop answers: "Good Lord, what man in Robotics has not been investigated and cleared to death by your people."

    \n

    The move answers pressure.

  6. 0-0 · HUM (Miguel de Cervantes) · Miguel de Cervantes · Move

    Turn 6. Pass. King Miguel de Cervantes re-centers the question.

    \n

    The inquiry keeps moving.

  7. 0-0 · ARTS (Dante Alighieri) · Isaac Asimov · Answer

    Turn 7. Bishop answers: "Elias Lynn was a large man, almost charmingly homely, with pale blue eyes that bulged a bit."

    \n

    The challenge gives the next answer real work to do.

  8. 0-0 · HUM (Miguel de Cervantes) · Philip K. Dick · Move

    Turn 8. Advance. "We have all their planets except the inner Orion string--not that they're worth much, but it's the principle of the thing."

    \n

    The inquiry keeps moving.

  9. 0-0 · ARTS (Dante Alighieri) · Isaac Asimov · Answer

    Turn 9. Bishop answers: "Over there, They were "We" (in the appropriate language) and We were "They." Scarcely anyone gave thought to such things any more."

    \n

    The move answers pressure.

  10. 0-0 · HUM (Miguel de Cervantes) · Machado de Assis · Question

    Turn 10. Knight asks: "What assumption are we testing if Philip K. Dick keeps the focus here?"

    \n

    The challenge gives the next answer real work to do.

  11. 0-0 · ARTS (Dante Alighieri) · Isaac Asimov · Answer

    Turn 11. Bishop answers: "There had been another change, though, that was significant enough and that was in the colors."

    \n

    The challenge gives the next answer real work to do.

  12. 0-0 · HUM (Miguel de Cervantes) · James Joyce · Answer

    Turn 12. Bishop answers: "I can defend it on this basis, and that is why this answer matters."

    \n

    The challenge gives the next answer real work to do.

  13. 0-0 · ARTS (Dante Alighieri) · Isaac Asimov · Answer

    Turn 13. Bishop answers: "Good Lord, what man in Robotics has not been investigated and cleared to death by your people."

    \n

    Closure is delayed at 0-0.

  14. 0-0 · HUM (Miguel de Cervantes) · James Joyce · Answer

    Turn 14. Bishop answers: "I can defend it on this basis, and that is why this answer matters."

    \n

    The move answers pressure.

  15. 0-0 · ARTS (Dante Alighieri) · Emily Dickinson · Move

    Turn 15. Pass. Isaac Asimov releases to Queen Emily Dickinson, who re-centers the question.

    \n

    The move answers pressure.

  16. 0-0 · HUM (Miguel de Cervantes) · Richard Lovelace · Answer

    Turn 16. Bishop answers: "That means the stronger reading is likely in this direction under pressure."

    \n

    The move answers pressure.

  17. 0-0 · ARTS (Dante Alighieri) · James Baldwin · Question

    Turn 17. Knight asks: "If this line is valid, what would it imply for the other side to justify now?"

    \n

    The move answers pressure.

  18. 0-0 · HUM (Miguel de Cervantes) · Richard Lovelace · Answer

    Turn 18. Bishop answers: "I can defend it on this basis, and that is why this answer matters."

    \n

    The move answers pressure.

  19. 0-0 · ARTS (Dante Alighieri) · James Baldwin · Question

    Turn 19. Knight asks: "If this line is valid, what would it imply for the other side to justify now?"

    \n

    The challenge gives the next answer real work to do.

  20. 0-0 · HUM (Miguel de Cervantes) · Richard Lovelace · Answer

    Turn 20. Bishop answers: "I can defend it on this basis, and that is why this answer matters."

    \n

    The challenge gives the next answer real work to do.

  21. 0-0 · ARTS (Dante Alighieri) · James Baldwin · Question

    Turn 21. Knight asks: "If this line is valid, what would it imply for the other side to justify now?"

    \n

    The move answers pressure.

  22. 0-1 · HUM (Miguel de Cervantes) · James Joyce · Answer

    Turn 22. Bishop answers: "I can defend it on this basis, and that is why this answer matters."

    \n

    The score moves to 0-1.

  23. 0-1 · ARTS (Dante Alighieri) · Emily Dickinson · Move

    Turn 23. Pass. James Baldwin releases to Queen Emily Dickinson, who re-centers the question.

    \n

    The move answers pressure.

  24. 0-1 · HUM (Miguel de Cervantes) · Miguel de Cervantes · Move

    Turn 24. Pass. King Miguel de Cervantes re-centers the question.

    \n

    The inquiry keeps moving.

  25. 0-1 · ARTS (Dante Alighieri) · Emily Dickinson · Move

    Turn 25. Advance. Checked Queen Emily Dickinson develops the line.

    \n

    The move answers pressure.

  26. 0-1 · HUM (Miguel de Cervantes) · Miguel de Cervantes · Move

    Turn 26. Advance. Checked King Miguel de Cervantes develops the line.

    \n

    The move answers pressure.

  27. 0-1 · ARTS (Dante Alighieri) · James Baldwin · Question

    Turn 27. Knight asks: "If this line is valid, what would it imply for the other side to justify now?"

    \n

    The move answers pressure.

  28. 0-1 · HUM (Miguel de Cervantes) · Miguel de Cervantes · Move

    Turn 28. Challenge. Checked King Miguel de Cervantes tests the opposing line.

    \n

    The challenge gives the next answer real work to do.

  29. 0-1 · ARTS (Dante Alighieri) · James Baldwin · Question

    Turn 29. Knight asks: "If this line is valid, what would it imply for the other side to justify now?"

    \n

    The inquiry keeps moving.

  30. 0-1 · HUM (Miguel de Cervantes) · Mark Twain · Question

    Turn 30. Knight asks: "What assumption are we testing if knight keeps the focus here?"

    \n

    The inquiry keeps moving.

  31. 0-1 · ARTS (Dante Alighieri) · Francis Bacon · Answer

    Turn 31. Bishop answers: "Certainly, it is heaven upon earth, to have a man's mind move in charity, rest in providence, and turn upon the poles of truth."

    \n

    The challenge gives the next answer real work to do.

  32. 0-1 · HUM (Miguel de Cervantes) · Richard Lovelace · Answer

    Turn 32. Bishop answers: "I can defend it on this basis, and that is why this answer matters."

    \n

    Closure is delayed at 0-1.

  33. 0-1 · ARTS (Dante Alighieri) · Francis Bacon · Answer

    Turn 33. Bishop answers: "The reason was, because the religion of the heathen, consisted rather in rites and ceremonies, than in any constant belief."

    \n

    The move answers pressure.

  34. 0-1 · HUM (Miguel de Cervantes) · Richard Lovelace · Answer

    Turn 34. Bishop answers: "I can defend it on this basis, and that is why this answer matters."

    \n

    The move answers pressure.

  35. 0-1 · ARTS (Dante Alighieri) · Francis Bacon · Answer

    Turn 35. Bishop answers: "I have enlarged them, both in Number, and Weight; So that they are indeed a New Worke."

    \n

    The challenge gives the next answer real work to do.

  36. 0-1 · HUM (Miguel de Cervantes) · Mark Twain · Question

    Turn 36. Knight asks: "What assumption are we testing if Richard Lovelace keeps the focus here?"

    \n

    The move answers pressure.

  37. 0-1 · ARTS (Dante Alighieri) · Dante Alighieri · Move

    Turn 37. Pass. "Or ere that work engag'd me, I did hold Christ's nature merely human, with such faith Contented."

    \n

    The move answers pressure.

  38. 0-1 · HUM (Miguel de Cervantes) · Mark Twain · Question

    Turn 38. Knight asks: "What assumption are we testing if knight keeps the focus here?"

    \n

    The move answers pressure.

  39. 0-1 · ARTS (Dante Alighieri) · Emily Dickinson · Move

    Turn 39. Save. Dante Alighieri releases to Queen Emily Dickinson, who is denied closure.

    \n

    Closure is delayed at 0-1.

  40. 0-1 · HUM (Miguel de Cervantes) · Philip K. Dick · Move

    Turn 40. Pass. "Tony noticed the Pas-udeti's sudden change of expression, and he was puzzled."

    \n

    The inquiry keeps moving.

  41. 0-1 · ARTS (Dante Alighieri) · James Baldwin · Question

    Turn 41. Knight asks: "If this line is valid, what would it imply for the other side to justify now?"

    \n

    The move answers pressure.

  42. 0-1 · HUM (Miguel de Cervantes) · James Joyce · Answer

    Turn 42. Bishop answers: "I can defend it on this basis, and that is why this answer matters."

    \n

    Closure is delayed at 0-1.

  43. 0-1 · ARTS (Dante Alighieri) · Isaac Asimov · Answer

    Turn 43. Bishop answers: "Elias Lynn was a large man, almost charmingly homely, with pale blue eyes that bulged a bit."

    \n

    The challenge gives the next answer real work to do.

  44. 0-1 · HUM (Miguel de Cervantes) · Philip K. Dick · Move

    Turn 44. Advance. "The hot dust lapped at his ankles; he automatically moved his feet and slapped at his trousers."

    \n

    The inquiry keeps moving.

  45. 0-1 · ARTS (Dante Alighieri) · Francis Bacon · Answer

    Turn 45. Bishop answers: "Tiberius in dissimulation; as Tacitus saith of him, Jam Tiberium vires et corpus, non dissimulatio, deserebant."

    \n

    Closure is delayed at 0-1.

  46. 0-1 · HUM (Miguel de Cervantes) · Mark Twain · Question

    Turn 46. Knight asks: "What assumption are we testing if Philip K. Dick keeps the focus here?"

    \n

    The move answers pressure.

  47. 0-1 · ARTS (Dante Alighieri) · Emily Dickinson · Move

    Turn 47. Advance. Francis Bacon releases to Queen Emily Dickinson, who develops the line.

    \n

    The move answers pressure.

  48. 0-1 · HUM (Miguel de Cervantes) · Mark Twain · Question

    Turn 48. Knight asks: "What assumption are we testing if knight keeps the focus here?"

    \n

    The challenge gives the next answer real work to do.

Board Record

Match Shape

Discourse B (0.844); aesthetic B (0.873); repetition 0.150. Move mix: 12 pass, 19 advance, 11 challenge, 1 claim, 5 save.

Full Call Sheet

TurnScoreActionCallRelevance
10-0AdvanceKnight James Baldwin develops the line.0.829
20-0PassBishop James Joyce re-centers the question.0.787
30-0PassBishop Isaac Asimov re-centers the question.0.655
40-0AdvanceJames Joyce releases to Queen Philip K. Dick, who develops the line.0.811
50-0AdvanceChecked Bishop Isaac Asimov develops the line.0.933
60-0PassKing Miguel de Cervantes re-centers the question.1.000
70-0ChallengeChecked Bishop Isaac Asimov tests the opposing line.1.000
80-0AdvanceQueen Philip K. Dick develops the line.1.000
90-0AdvanceChecked Bishop Isaac Asimov develops the line.1.000
100-0ChallengePhilip K. Dick releases to Knight Machado de Assis, who tests the opposing line.0.938
110-0ChallengeChecked Bishop Isaac Asimov tests the opposing line.0.825
120-0ChallengeMachado de Assis releases to Bishop James Joyce, who tests the opposing line.0.975
130-0SaveChecked Bishop Isaac Asimov is denied closure.0.798
140-0AdvanceChecked Bishop James Joyce develops the line.0.912
150-0PassIsaac Asimov releases to Queen Emily Dickinson, who re-centers the question.0.916
160-0PassJames Joyce releases to Bishop Richard Lovelace, who re-centers the question.0.823
170-0AdvanceEmily Dickinson releases to Knight James Baldwin, who develops the line.0.919
180-0AdvanceChecked Bishop Richard Lovelace develops the line.0.867
190-0ChallengeChecked Knight James Baldwin tests the opposing line.0.926
200-0ChallengeChecked Bishop Richard Lovelace tests the opposing line.0.767
210-0AdvanceChecked Knight James Baldwin develops the line.0.930
220-1ClaimRichard Lovelace releases to Bishop James Joyce, who presses a claim.1.000
230-1PassJames Baldwin releases to Queen Emily Dickinson, who re-centers the question.0.981
240-1PassKing Miguel de Cervantes re-centers the question.1.000
250-1AdvanceChecked Queen Emily Dickinson develops the line.1.000
260-1AdvanceChecked King Miguel de Cervantes develops the line.1.000
270-1PassEmily Dickinson releases to Knight James Baldwin, who re-centers the question.0.877
280-1ChallengeChecked King Miguel de Cervantes tests the opposing line.0.909
290-1AdvanceKnight James Baldwin develops the line.1.000
300-1PassKnight Mark Twain re-centers the question.0.993
310-1ChallengeJames Baldwin releases to Bishop Francis Bacon, who tests the opposing line.0.733
320-1SaveMark Twain releases to Bishop Richard Lovelace, who is denied closure.1.000
330-1AdvanceChecked Bishop Francis Bacon develops the line.1.000
340-1AdvanceChecked Bishop Richard Lovelace develops the line.0.950
350-1ChallengeChecked Bishop Francis Bacon tests the opposing line.0.925
360-1PassRichard Lovelace releases to Knight Mark Twain, who re-centers the question.0.912
370-1PassFrancis Bacon releases to King Dante Alighieri, who re-centers the question.0.933
380-1AdvanceChecked Knight Mark Twain develops the line.0.872
390-1SaveDante Alighieri releases to Queen Emily Dickinson, who is denied closure.1.000
400-1PassQueen Philip K. Dick re-centers the question.1.000
410-1AdvanceEmily Dickinson releases to Knight James Baldwin, who develops the line.0.794
420-1SaveBishop James Joyce is denied closure.1.000
430-1ChallengeBishop Isaac Asimov tests the opposing line.1.000
440-1AdvanceQueen Philip K. Dick develops the line.1.000
450-1SaveBishop Francis Bacon is denied closure.0.926
460-1AdvancePhilip K. Dick releases to Knight Mark Twain, who develops the line.1.000
470-1AdvanceFrancis Bacon releases to Queen Emily Dickinson, who develops the line.0.964
480-1ChallengeChecked Knight Mark Twain tests the opposing line.0.937